22 Eylül 2008 Pazartesi
NEW SPOILERS: Tracy Strauss, Matt Parkman, the Past and the Future
Some new and confusing SPOILERS about the upcoming Heroes Season 3 have arrived. While these do fill in a lot more details about the character Tracy Strauss (played by Ali Larter), it also brings up even more questions. Also, more on Matt Parkman (Greg Grunberg) and what he’s been up to. Meanwhile, we get a glimpse of the future. Or do we? Well, it’s all very mysterious and “read between the lines”-ish, but let’s take a look at what Kristin over at E! Online has to say anyway, shall we?
The first bit of spoiler involves Matt Parkman, as well as a glimpse of the very confusing future:
Nathaniel in Washington, D.C.: What can you tell me about Heroes’ future?
Let’s see…Matt Parkman’s (Greg Grunberg) future is drawn for him by an African bushman, and in the world’s future, the sky is full of people who can fly. It’ll be just like The Jetsons! Except, you know, no flying contraptions needed. This is a future I’m looking forward to ’cause the traffic on the 405 is killing me.
So in the future “the sky is full of people who can fly”, eh? No idea what that means, except the obvious — that Mohinder’s power-in-a-syringe idea has taken hold and now everyone has powers. Or maybe that formula Hiro is entrusted with by his father has turned everyone into heroes. Or, to be very nihilistic about it, maybe those “sky full of people” are people getting blown up by that giant fireball Hiro sees when he, once again, time trips into the future after losing the formula?
Update:
Got an email that pointed me to these pictures of, yup, people “flying around” on the Heroes set during a shot. Pictures via Heroes-France. So, um, people ARE flying in the future, apparently!
But back to good ol Matt Parkman. Since we now know he’ll be visiting an African bushman, is the picture (below) one of those predictions involving man as seen in an earlier article? The whole art set-up certainly looks like something an “African bushman” would cook up for his version of a “studio”.
Meanwhile, here’s another spoiler bit concerning Tracy Strauss:
Emma in Cedar Rapids, Iowa: Can you tell me anything more about Ali Larter’s character’s powers on Heroes?
You know the reporter played by William Katt of Greatest American Hero who confronts “Tracy Strauss” (Ali Larter) with evidence that she’s actually “Niki Saunders”? Well, there’s a reason he’s only in one episode, and that reason is that someone kills him by accident. (Wait a minute, could Ali be playing a character with a lethal power? Noooo!) Also, after Tracy begins to believe the reporter might be right about her real identity, she sets off to find the doctor who delivered her, in hopes that he can tell her more about her origins. She finds out at summer camp she has an identical twin, and they set off on a mischievious but adorable mission to get their parents to reunite. Or wait, that last sentence may have been from another story.
Okay, now I’m really confused. This bit of spoiler would seem to indicate that Tracy Strauss is NOT simply another personality of Niki Sanders, as previously believed, but is instead Jessica Sanders, Niki’s long-thought dead sibling, now going by the name Tracy Strauss. Which would not really make sense. If Jessica is in fact alive, and has always been all this time, then where has she been keeping herself, and why does her sister and family believe she died as a young girl? Also, if Jessica has always been alive all this time, why did Niki create an alter ego named Jessica to defend herself in times of stress?
From a purely storytelling perspective, it makes sense to give Ali Larter more to do in Season 3, and certainly having her “kill” off her Niki personality and replacing it with “Tracy” would provide plenty of drama, as well as the mystery that has been sorely lacking in the Niki department. I guess we’ll find out soon enough.
The first bit of spoiler involves Matt Parkman, as well as a glimpse of the very confusing future:
Nathaniel in Washington, D.C.: What can you tell me about Heroes’ future?
Let’s see…Matt Parkman’s (Greg Grunberg) future is drawn for him by an African bushman, and in the world’s future, the sky is full of people who can fly. It’ll be just like The Jetsons! Except, you know, no flying contraptions needed. This is a future I’m looking forward to ’cause the traffic on the 405 is killing me.
So in the future “the sky is full of people who can fly”, eh? No idea what that means, except the obvious — that Mohinder’s power-in-a-syringe idea has taken hold and now everyone has powers. Or maybe that formula Hiro is entrusted with by his father has turned everyone into heroes. Or, to be very nihilistic about it, maybe those “sky full of people” are people getting blown up by that giant fireball Hiro sees when he, once again, time trips into the future after losing the formula?
Update:
Got an email that pointed me to these pictures of, yup, people “flying around” on the Heroes set during a shot. Pictures via Heroes-France. So, um, people ARE flying in the future, apparently!
But back to good ol Matt Parkman. Since we now know he’ll be visiting an African bushman, is the picture (below) one of those predictions involving man as seen in an earlier article? The whole art set-up certainly looks like something an “African bushman” would cook up for his version of a “studio”.
Meanwhile, here’s another spoiler bit concerning Tracy Strauss:
Emma in Cedar Rapids, Iowa: Can you tell me anything more about Ali Larter’s character’s powers on Heroes?
You know the reporter played by William Katt of Greatest American Hero who confronts “Tracy Strauss” (Ali Larter) with evidence that she’s actually “Niki Saunders”? Well, there’s a reason he’s only in one episode, and that reason is that someone kills him by accident. (Wait a minute, could Ali be playing a character with a lethal power? Noooo!) Also, after Tracy begins to believe the reporter might be right about her real identity, she sets off to find the doctor who delivered her, in hopes that he can tell her more about her origins. She finds out at summer camp she has an identical twin, and they set off on a mischievious but adorable mission to get their parents to reunite. Or wait, that last sentence may have been from another story.
Okay, now I’m really confused. This bit of spoiler would seem to indicate that Tracy Strauss is NOT simply another personality of Niki Sanders, as previously believed, but is instead Jessica Sanders, Niki’s long-thought dead sibling, now going by the name Tracy Strauss. Which would not really make sense. If Jessica is in fact alive, and has always been all this time, then where has she been keeping herself, and why does her sister and family believe she died as a young girl? Also, if Jessica has always been alive all this time, why did Niki create an alter ego named Jessica to defend herself in times of stress?
From a purely storytelling perspective, it makes sense to give Ali Larter more to do in Season 3, and certainly having her “kill” off her Niki personality and replacing it with “Tracy” would provide plenty of drama, as well as the mystery that has been sorely lacking in the Niki department. I guess we’ll find out soon enough.
Heroes News Roundup: Tim Kring, Behind-the-Scenes, Seth Green
A couple of notable Heroes news were making the rounds this week, including a pretty extensive interview with Heroes creator Tim Kring over at Comic Book Resources, where Kring delves into a lot of issues currently on Heroes fans’ minds; over at BuddyTV, they have two more behind-the-scenes videos from the currently shooting Season 3, including one very interesting scene between Ali Larter and Adrian Pasdar; meanwhile, in geeksville, Seth Green makes it official that he’s joining the show for a couple of episodes.
———-*———-
First up is Tim Kring, who has been doing quite the whirlwind publicity rounds for Heroes Season 3. Here’s one of those interviews, via CBR, who queries Kring on pretty much everything from Sylar’s supposed return transition from bad guy to not-really-all-that-bad guy, new characters, old characters, and the lost possibilities from the Strike-shortened Season 2.
What was lost during the Writers Strike as far as the virus storyline and will we ever find out what happened to Caitlin?
The virus story was really the casualty of the strike. We retooled the last couple of minutes of the finale to Volume Two when we knew that the Strike was eminent. We changed the ending so that that virus never broke out. The second volume of Season Two was going to be an outbreak story that would have lasted eight episodes and it was all avoided by Peter Pertelli catching this vile of virus. So it did not break and therefore did not get out in to the community. So three episodes into that volume, we would have found out what happened to Caitlin. As we go forward, after the Writers Strike now, that has sort of become a lost part of the mythology of the show that may never return.
Even though Sylar is evil, he is clearly supposed to be sympathetic to the audience. Do you plan to continue that aspect of the character or will we see a different side of him this season?
To be really honest, that is sort of a quest with this character, to continue to play off of the duality of good an evil — which I think has been at the core of a lot of characters on this show and certainly will become more thematic to the show this season in “Villains,” where so many of our characters will be faced with these choices of who are they really and what is their base nature. So yeah, we are going in places with this particular volume with Sylar that will, I think, cause the audience to be really torn as to how they feel about this guy. They know that he’s capable of tremendous evil and yet he has a kind of depth of pathos that makes you question your own sense of what’s right and wrong. He’ll have a series of very human relationships in this volume alone.
Are there a lot of new characters being added this season and if so, will some of the main characters be featured more prominently than others?
This season, we are not really introducing any new characters that have their own storylines. We are concentrating pretty much on the core characters that we’ve had for two seasons now. We have a certain style of storytelling where there are multiple characters in multiple stories going on at the same time. The difference in this volume, “Villains,” is that they are all feeding on one, big, giant story. So no, we are not really planning on featuring anybody anymore than anybody else. The audience may feel that way at times, but I think when they see it put together, certain episodes may lean a little more heavily on one character or another, but by the end I think it’ll balance out.
Entertainment Weekly caught up with Seth Green over at the VMA held last weekend and threw some questions at him, including his Heroes part:
It’s true, Green and pal Breckin Meyer have joined the cast of the NBC drama, so naturally we begged the actor to give us some hints to their upcoming arc, and in typical Heroes fashion, he was 100 percent vague. “They have a first page that says, like, ‘Keep our secrets,’ ” Green says. Still, we did get this out of him: “We’re starting on set Monday. That’s what this whole beard is for.” Facial hair aside, Green admits he would’ve done anything for the gig: “I’m a really big fan of the show,” he says, “and I kind of begged for a long time to see if there was anything I could do.”
———-*———-
Over at BuddyTV, two new behind-the-scenes video have popped up. One features Hiro in a magic shop, looking for a sword, and the other features Ali Larter’s Tracy Strauss and Adrian Pasdar’s Nathan Petrelli in a car — holding hands! Hmm, methinks these two will be spending a whole lot of time together in Season 3.
———-*———-
First up is Tim Kring, who has been doing quite the whirlwind publicity rounds for Heroes Season 3. Here’s one of those interviews, via CBR, who queries Kring on pretty much everything from Sylar’s supposed return transition from bad guy to not-really-all-that-bad guy, new characters, old characters, and the lost possibilities from the Strike-shortened Season 2.
What was lost during the Writers Strike as far as the virus storyline and will we ever find out what happened to Caitlin?
The virus story was really the casualty of the strike. We retooled the last couple of minutes of the finale to Volume Two when we knew that the Strike was eminent. We changed the ending so that that virus never broke out. The second volume of Season Two was going to be an outbreak story that would have lasted eight episodes and it was all avoided by Peter Pertelli catching this vile of virus. So it did not break and therefore did not get out in to the community. So three episodes into that volume, we would have found out what happened to Caitlin. As we go forward, after the Writers Strike now, that has sort of become a lost part of the mythology of the show that may never return.
Even though Sylar is evil, he is clearly supposed to be sympathetic to the audience. Do you plan to continue that aspect of the character or will we see a different side of him this season?
To be really honest, that is sort of a quest with this character, to continue to play off of the duality of good an evil — which I think has been at the core of a lot of characters on this show and certainly will become more thematic to the show this season in “Villains,” where so many of our characters will be faced with these choices of who are they really and what is their base nature. So yeah, we are going in places with this particular volume with Sylar that will, I think, cause the audience to be really torn as to how they feel about this guy. They know that he’s capable of tremendous evil and yet he has a kind of depth of pathos that makes you question your own sense of what’s right and wrong. He’ll have a series of very human relationships in this volume alone.
Are there a lot of new characters being added this season and if so, will some of the main characters be featured more prominently than others?
This season, we are not really introducing any new characters that have their own storylines. We are concentrating pretty much on the core characters that we’ve had for two seasons now. We have a certain style of storytelling where there are multiple characters in multiple stories going on at the same time. The difference in this volume, “Villains,” is that they are all feeding on one, big, giant story. So no, we are not really planning on featuring anybody anymore than anybody else. The audience may feel that way at times, but I think when they see it put together, certain episodes may lean a little more heavily on one character or another, but by the end I think it’ll balance out.
Entertainment Weekly caught up with Seth Green over at the VMA held last weekend and threw some questions at him, including his Heroes part:
It’s true, Green and pal Breckin Meyer have joined the cast of the NBC drama, so naturally we begged the actor to give us some hints to their upcoming arc, and in typical Heroes fashion, he was 100 percent vague. “They have a first page that says, like, ‘Keep our secrets,’ ” Green says. Still, we did get this out of him: “We’re starting on set Monday. That’s what this whole beard is for.” Facial hair aside, Green admits he would’ve done anything for the gig: “I’m a really big fan of the show,” he says, “and I kind of begged for a long time to see if there was anything I could do.”
———-*———-
Over at BuddyTV, two new behind-the-scenes video have popped up. One features Hiro in a magic shop, looking for a sword, and the other features Ali Larter’s Tracy Strauss and Adrian Pasdar’s Nathan Petrelli in a car — holding hands! Hmm, methinks these two will be spending a whole lot of time together in Season 3.
Heroes Preview: Season 3 Episode 1 (3.01) The Second Coming
Ah, it’s another year, another season of Heroes, and our very first preview of the very first episode of Season 3 — “The Second Coming”, formerly called “The Butterfly Effect”. Scheduled to premiere with a 2-hour block on September 22 of this year (after a one-hour special episode to help viewers catch up to what’s happened previously), “The Second Coming” was recently screened at Comic Con, and SPOILERS for the episode abound. NBC has finally released an official description for the episode, as well as five promo images. Without further ado: Heroes Season 3 Episode 1 is here!
Official Description:
Previously in “Volume 1: Genesis” and “Volume 2: Generations,” when a total eclipse cast its shadow across the globe, a multitude of everyday men and women with special powers seemingly were called forth. To prevent grim predictions of the future, a handful of these individuals banded together to save the cheerleader, New York City, and the world. Now, as ominous, new signs signal catastrophe ahead, new and familiar adversaries begin to gather…
With his abilities returned to him, serial killer Sylar (Zachary Quinto) relentlessly continues to accumulate other people’s abilities, which leads him to the Bennet house. Bound to a secret company with a keen interest in people like his daughter, “H.R.G.,” a.k.a. Noah Bennet (Jack Coleman), finds new purpose when his most dangerous, fantastic foes break out of custody and must be dragged back. Reeling from recent events and revelations, Claire Bennet (Hayden Panettiere), an indestructible high school cheerleader, struggles to define her identity and place in the world.
An act of heroism unveils an amazing secret about Niki Sanders (Ali Larter), a Las Vegas single mother with astonishing strength — and an unknown, hidden family. In Japan, Yamagato Industries heir Hiro Nakamura (Masi Oka) continues to use his ability to pierce the space-time continuum and manipulate time to leap into wild, international adventures with his best friend, Ando Masahashi (James Kyson Lee).
Nathan Petrelli’s (Adrian Pasdar) attempted assassination leads several Heroes on a stunning spiritual quest to explain his power of flight. For his younger brother, Peter (Milo Ventimiglia), the future and present collide as his many absorbed powers lead him to discover that the only way to end the catastrophic moment facing the world is to do the unimaginable. Meanwhile, their ruthless mother Angela (Cristine Rose) and her associates continue their ongoing, complex machinations to change the world from the shadows.
Former LAPD officer Matt Parkman (Greg Grunberg) is taught new ways to use his expanding ability to hear and manipulate other’s thoughts by an unlikely guide. Dr. Mohinder Suresh (Sendhil Ramamurthy), a genetics professor from India, takes a dangerous step into darkness as his research into those with extraordinary abilities living among us continues. Far from her Dominican Republic home, Maya Herrera (Dania Ramirez), who causes death when filled with fear or anger, begs Suresh to cure her – only to watch helplessly as he embraces his darker side.
Their ultimate destiny is nothing less than saving the world…
Official Description:
Previously in “Volume 1: Genesis” and “Volume 2: Generations,” when a total eclipse cast its shadow across the globe, a multitude of everyday men and women with special powers seemingly were called forth. To prevent grim predictions of the future, a handful of these individuals banded together to save the cheerleader, New York City, and the world. Now, as ominous, new signs signal catastrophe ahead, new and familiar adversaries begin to gather…
With his abilities returned to him, serial killer Sylar (Zachary Quinto) relentlessly continues to accumulate other people’s abilities, which leads him to the Bennet house. Bound to a secret company with a keen interest in people like his daughter, “H.R.G.,” a.k.a. Noah Bennet (Jack Coleman), finds new purpose when his most dangerous, fantastic foes break out of custody and must be dragged back. Reeling from recent events and revelations, Claire Bennet (Hayden Panettiere), an indestructible high school cheerleader, struggles to define her identity and place in the world.
An act of heroism unveils an amazing secret about Niki Sanders (Ali Larter), a Las Vegas single mother with astonishing strength — and an unknown, hidden family. In Japan, Yamagato Industries heir Hiro Nakamura (Masi Oka) continues to use his ability to pierce the space-time continuum and manipulate time to leap into wild, international adventures with his best friend, Ando Masahashi (James Kyson Lee).
Nathan Petrelli’s (Adrian Pasdar) attempted assassination leads several Heroes on a stunning spiritual quest to explain his power of flight. For his younger brother, Peter (Milo Ventimiglia), the future and present collide as his many absorbed powers lead him to discover that the only way to end the catastrophic moment facing the world is to do the unimaginable. Meanwhile, their ruthless mother Angela (Cristine Rose) and her associates continue their ongoing, complex machinations to change the world from the shadows.
Former LAPD officer Matt Parkman (Greg Grunberg) is taught new ways to use his expanding ability to hear and manipulate other’s thoughts by an unlikely guide. Dr. Mohinder Suresh (Sendhil Ramamurthy), a genetics professor from India, takes a dangerous step into darkness as his research into those with extraordinary abilities living among us continues. Far from her Dominican Republic home, Maya Herrera (Dania Ramirez), who causes death when filled with fear or anger, begs Suresh to cure her – only to watch helplessly as he embraces his darker side.
Their ultimate destiny is nothing less than saving the world…
Heroes Episode Review: Season 2 Episode 1 (2.01) Four Months Later
Tonight’s episode takes place “Four Months Later” after the end of Season 1, and it feels twice as long since the Brothers Petrellis came together and flew into the sky, taking with them New York’s doom and saving the city in the process. Meanwhile, the fates of D.L. Hawkins and Matt Parkman, both suffering from gunshot wounds at the end of “How to Stop an Exploding Man”, hang in the balance.
So who lives, and who dies?
Four months later, the answers are revealed. Well, most of them, anyway.
We first catch up with Mohinder, who is doing what he does best — lecturing on the coming of the Heroes. Of course, no one believes him. Would you? No one, that is, except for a balding old fella with glasses representing The Company. Is this the mysterious Bob that we’ve heard so much about? Whoever he is, he delivers a convincing recruitment speech — and, of course, a threat or two. What’s a job offer without a threat and promises of answers? And oh yeah, a golden spoon? This guy scares me. But then again, middle-aged guys with glasses and job offers always scares me.
Our first look at Season 2’s latest Heroes, Maya and Alejandro Herrera, find them fleeing border patrol agents in Honduras. The two are battling their way through South America on their way to America, where they hope to find salvation for their problem. Apparently that problem involves a murder — for which Maya and Alejandro are wanted for. Or, more specifically, Maya is wanted for. How dangerous is Maya? Let’s just say you don’t want to make her sit in the front seat with you. Stupid human smugglers and their lecherous ways.
First day at a new school in California brings reminders of the past for Claire (those cheerleader outfits sure look spiffy) and something new (young West sure looks dreamy; I’m sure all the girls will be swooning). The family (under the guise of the Butlers, no less) have relocated, but fears of the past remains. HRG, in particular, is on the lookout for members of The Company, even as he continues his, ahem, paper profession.
P.S. Have I mentioned that high school angst is so CW? Please, Tim Kring, spare us the bitchy cheerleader storylines. It’s, like, soooo last season.
Our re-introduction to Matt Parkman finds him embracing the NYPD Blue, having left his LAPD career and ex-wife behind. (Wait, wasn’t she pregnant when he bailed?) He is still in New York, caring for young Mollie, whose dreams of “the bogeyman” continues to haunt her. Who is this mysterious villain, and since when did Mollie become such a moral authority? The girl sure has grown up since we last saw her, hiding under various furniture.
Back at Kirby Plaza, Ando (sporting impressive hair, I might add) has remained behind in America with Hiro’s father, Kaito. Hiro’s story, meanwhile, continues in Feudal Japan, where he promptly saves the life of his hero, Takezo Kensei. Feudal Japan is a dangerous place, apparently, filled with bandits, guys in masks, and oh yeah, childhood heroes who turn out to be very, very disappointing in flesh and blood. Speaking of which, David Anders’ Japanese ain’t half bad, although I do wish he’d stop peeing in the forest. But that’s the English for ya. (Just kidding, guys, don’t write letters.)
But what of the Brothers Petrelli? Nathan is very much alive — and bearded. And no, those bottles aren’t just for show. Mama Petrelli is distressed by her son’s current state (he is still holding out hope that Peter, who has gone missing, will return), but when she finds a picture of herself with a bloody red mark across it, she realizes there are bigger fishes to fry. And hey, didn’t Kaito just find a similar picture of himself sporting the same red markings? Methinks something bad is about to happen to the remainders of the old guard, which used to count Papa Petrelli and Linderman among their members, and we know what happened to them. Happy endings are so hard to come by nowadays…
There are a couple of missing faces in tonight’s premiere: D.L. Hawkins is nowhere to be found (dead, we presume, considering Leonard Roberts’ lack of presence in all the recent rounds of promos on and off the air), and Niki and son are also MIA.
And as for Peter? Oh, don’t worry, kids, Milo isn’t going anywhere if those cuffs are any indication…
An all-around outstanding episode for a show that hit it big like gangbusters last year when no one expected it to, but now comes into its sophomore year with high expectations. The introductions of Maya and Alejandro are well done, while catching up with the old cast was a pleasure. The only bump in the road is the Claire storyline, which will appeal to the tweens in the audience, but will bore everyone else over the age of 13. But hey, if we must endure generic teen angst, at least there’s a great payoff with HRG and a certain obnoxious manager in the lunch room. Ouch, that must hurt.
And as for Hiro, still trapped in Feudal Japan…
And this guy. Watch out for this guy. He looks way too normal to not be dangerous…
So who lives, and who dies?
Four months later, the answers are revealed. Well, most of them, anyway.
We first catch up with Mohinder, who is doing what he does best — lecturing on the coming of the Heroes. Of course, no one believes him. Would you? No one, that is, except for a balding old fella with glasses representing The Company. Is this the mysterious Bob that we’ve heard so much about? Whoever he is, he delivers a convincing recruitment speech — and, of course, a threat or two. What’s a job offer without a threat and promises of answers? And oh yeah, a golden spoon? This guy scares me. But then again, middle-aged guys with glasses and job offers always scares me.
Our first look at Season 2’s latest Heroes, Maya and Alejandro Herrera, find them fleeing border patrol agents in Honduras. The two are battling their way through South America on their way to America, where they hope to find salvation for their problem. Apparently that problem involves a murder — for which Maya and Alejandro are wanted for. Or, more specifically, Maya is wanted for. How dangerous is Maya? Let’s just say you don’t want to make her sit in the front seat with you. Stupid human smugglers and their lecherous ways.
First day at a new school in California brings reminders of the past for Claire (those cheerleader outfits sure look spiffy) and something new (young West sure looks dreamy; I’m sure all the girls will be swooning). The family (under the guise of the Butlers, no less) have relocated, but fears of the past remains. HRG, in particular, is on the lookout for members of The Company, even as he continues his, ahem, paper profession.
P.S. Have I mentioned that high school angst is so CW? Please, Tim Kring, spare us the bitchy cheerleader storylines. It’s, like, soooo last season.
Our re-introduction to Matt Parkman finds him embracing the NYPD Blue, having left his LAPD career and ex-wife behind. (Wait, wasn’t she pregnant when he bailed?) He is still in New York, caring for young Mollie, whose dreams of “the bogeyman” continues to haunt her. Who is this mysterious villain, and since when did Mollie become such a moral authority? The girl sure has grown up since we last saw her, hiding under various furniture.
Back at Kirby Plaza, Ando (sporting impressive hair, I might add) has remained behind in America with Hiro’s father, Kaito. Hiro’s story, meanwhile, continues in Feudal Japan, where he promptly saves the life of his hero, Takezo Kensei. Feudal Japan is a dangerous place, apparently, filled with bandits, guys in masks, and oh yeah, childhood heroes who turn out to be very, very disappointing in flesh and blood. Speaking of which, David Anders’ Japanese ain’t half bad, although I do wish he’d stop peeing in the forest. But that’s the English for ya. (Just kidding, guys, don’t write letters.)
But what of the Brothers Petrelli? Nathan is very much alive — and bearded. And no, those bottles aren’t just for show. Mama Petrelli is distressed by her son’s current state (he is still holding out hope that Peter, who has gone missing, will return), but when she finds a picture of herself with a bloody red mark across it, she realizes there are bigger fishes to fry. And hey, didn’t Kaito just find a similar picture of himself sporting the same red markings? Methinks something bad is about to happen to the remainders of the old guard, which used to count Papa Petrelli and Linderman among their members, and we know what happened to them. Happy endings are so hard to come by nowadays…
There are a couple of missing faces in tonight’s premiere: D.L. Hawkins is nowhere to be found (dead, we presume, considering Leonard Roberts’ lack of presence in all the recent rounds of promos on and off the air), and Niki and son are also MIA.
And as for Peter? Oh, don’t worry, kids, Milo isn’t going anywhere if those cuffs are any indication…
An all-around outstanding episode for a show that hit it big like gangbusters last year when no one expected it to, but now comes into its sophomore year with high expectations. The introductions of Maya and Alejandro are well done, while catching up with the old cast was a pleasure. The only bump in the road is the Claire storyline, which will appeal to the tweens in the audience, but will bore everyone else over the age of 13. But hey, if we must endure generic teen angst, at least there’s a great payoff with HRG and a certain obnoxious manager in the lunch room. Ouch, that must hurt.
And as for Hiro, still trapped in Feudal Japan…
And this guy. Watch out for this guy. He looks way too normal to not be dangerous…
Heroes 1-Hour Pilot Episode Review
Well I finally saw the pilot episode of “Heroes” (this is the 1-hour — or to be exact, the 54-minute version), and scrapped together a review. My grade? Exceptional. I can’t wait for the second episode. Read on!
“Heroes” 1-Hour Pilot Episode Review
In India, geneticist professor Mohinder (Sendhil Ramamurthy) has just been informed that his father, whose research leads him to believe that humankind is about to evolve into something more, has been killed. Meanwhile, empathetic male nurse Peter Petrelli (Milo Ventimiglia), who works with terminally ill patients, is having dreams that he can fly, but his politician brother Nathan (Adrian Pasdar) doesn’t want to hear about it (”Don’t go all Roger Clinton on me,” he tells Peter). In Sin City, Internet adult webcam proprietor and star Niki (Ali Larter) can’t shake the feeling that there’s something wrong with her mirror reflection, but a visit from the local goons to collect a long-overdue loan snaps her out of it. In Japan, office worker Hiro (Masi Oka) believes he can stop time and teleport if he just concentrates hard enough (or as he tells his only friend and fellow office buddy, “I’ve broken the space/time continuum!”). In Texas, cheerleader Claire (Hayden Panettiere) has just attempted to kill herself — for the 6th time, and failed again. And all across the globe, people are preparing for a coming eclipse�
Written and created by Tim Kring (”Crossing Jordan”), “Heroes” is a superhero series designed to be about ordinary people with extraordinary destinies. Superheroes set in real life, if you will, and the pilot (clocking in at 54 minutes sans commercials) does just that — introduce superheroes and their super abilities while situating the whole thing in the real world as we mere mortals know it. Because of this, the man who thinks he can fly stumbles around a beautiful woman; the indestructible Texas cheerleader can barely deal with her newfound powers with the school’s biggest game, the SAT, and homecoming right around the corner; and the adult webcam star can barely keep her lights on and her genius son from being kicked out of school because her tuition payment checks keep bouncing.
Saddled with the need to introduce its major characters in less than one hour, the pilot for “Heroes” works overtime, squeezing in as much character, drama, and personality as possible into its limited screentime. For the most part it succeeds, but at the cost of excising another hero, Greg Grunberg’s mind-reading cop, who has no screentime in the pilot at all. Curiously, there is a scene in a police precinct that one would think might be a prime spot for, if nothing else, at the very least a cameo appearance by Grunberg’s character. Alas, no, and we’ll just have to wait for the second episode to see what the ability to read minds does to a man who has to deal with the scum of the Earth 24-7. (That is, if NBC elects to show “Heroes” as a 1-hour pilot, and not the more logical 2-hour block when the show finally premieres in September.)
Overall, Kring and company succeeds in creating an intriguing universe and populating it with interesting characters that we will enjoy following for many years to come as they grow, come to grips with their powers, and learn to use it for good — or in some cases, for evil. (After all, how can there be heroes if there aren’t villains?) The only character that comes up a bit short is Isaac, a junkie artist who can paint the future when he’s high, a power that he is deftly afraid of. The problem with Isaac’s storyline is that the character comes into the pilot relatively late, and there is little set-up to his powers. This abrupt introduction is followed up by a brutal act that is shocking, but could have had twice the impact if only we had known Isaac sooner.
The pilot also offers up a man with glasses who, we learn, has a very complex relationship with one of our potential heroes. Early reports seem to indicate the involvement of some kind of government entity, or perhaps a private concern monitoring, if not outright trying to stop the coming human evolution, with the mysterious man being their frontman, if not someone of a higher position. I would hope it’s not another government conspiracy, as we’ve seen so many of this via “The X-Files” and others like it that another show based around a Government Conspiracy would be repetitive.
Tim Kring’s script does a fantastic job of interweaving the show’s many characters, tying them up to one another in believable ways. Mohinder’s coming to New York, Peter’s relationship with Isaac, and Claire’s Texas ties flow together seamlessly. The good writing is complimented by a fine cast, with Adrian Pasdar clearly groomed for the role of reformed team leader (if such a superpowered team should surface, that is), and Masi Oka’s Hiro (whose character never speaks English in the pilot) will clearly be the undisputed fan favorite among the cast. In fact, the nerdy Japanese officer worker’s obsessive quoting of “Star Trek” manifesto will only hasten his journey from unknown actor to fanboy favorite.
Pilots for new shows are notorious for either giving away too much or too little, but the 54-minute pilot for “Heroes” does just enough to keep you coming back, ready for more. It’s quite intriguing from beginning to end, and with such complex and affable characters, showrunner Tim Kring has, in all likelihood, another hit on his hands. Heroes unite!
“Heroes” 1-Hour Pilot Episode Review
In India, geneticist professor Mohinder (Sendhil Ramamurthy) has just been informed that his father, whose research leads him to believe that humankind is about to evolve into something more, has been killed. Meanwhile, empathetic male nurse Peter Petrelli (Milo Ventimiglia), who works with terminally ill patients, is having dreams that he can fly, but his politician brother Nathan (Adrian Pasdar) doesn’t want to hear about it (”Don’t go all Roger Clinton on me,” he tells Peter). In Sin City, Internet adult webcam proprietor and star Niki (Ali Larter) can’t shake the feeling that there’s something wrong with her mirror reflection, but a visit from the local goons to collect a long-overdue loan snaps her out of it. In Japan, office worker Hiro (Masi Oka) believes he can stop time and teleport if he just concentrates hard enough (or as he tells his only friend and fellow office buddy, “I’ve broken the space/time continuum!”). In Texas, cheerleader Claire (Hayden Panettiere) has just attempted to kill herself — for the 6th time, and failed again. And all across the globe, people are preparing for a coming eclipse�
Written and created by Tim Kring (”Crossing Jordan”), “Heroes” is a superhero series designed to be about ordinary people with extraordinary destinies. Superheroes set in real life, if you will, and the pilot (clocking in at 54 minutes sans commercials) does just that — introduce superheroes and their super abilities while situating the whole thing in the real world as we mere mortals know it. Because of this, the man who thinks he can fly stumbles around a beautiful woman; the indestructible Texas cheerleader can barely deal with her newfound powers with the school’s biggest game, the SAT, and homecoming right around the corner; and the adult webcam star can barely keep her lights on and her genius son from being kicked out of school because her tuition payment checks keep bouncing.
Saddled with the need to introduce its major characters in less than one hour, the pilot for “Heroes” works overtime, squeezing in as much character, drama, and personality as possible into its limited screentime. For the most part it succeeds, but at the cost of excising another hero, Greg Grunberg’s mind-reading cop, who has no screentime in the pilot at all. Curiously, there is a scene in a police precinct that one would think might be a prime spot for, if nothing else, at the very least a cameo appearance by Grunberg’s character. Alas, no, and we’ll just have to wait for the second episode to see what the ability to read minds does to a man who has to deal with the scum of the Earth 24-7. (That is, if NBC elects to show “Heroes” as a 1-hour pilot, and not the more logical 2-hour block when the show finally premieres in September.)
Overall, Kring and company succeeds in creating an intriguing universe and populating it with interesting characters that we will enjoy following for many years to come as they grow, come to grips with their powers, and learn to use it for good — or in some cases, for evil. (After all, how can there be heroes if there aren’t villains?) The only character that comes up a bit short is Isaac, a junkie artist who can paint the future when he’s high, a power that he is deftly afraid of. The problem with Isaac’s storyline is that the character comes into the pilot relatively late, and there is little set-up to his powers. This abrupt introduction is followed up by a brutal act that is shocking, but could have had twice the impact if only we had known Isaac sooner.
The pilot also offers up a man with glasses who, we learn, has a very complex relationship with one of our potential heroes. Early reports seem to indicate the involvement of some kind of government entity, or perhaps a private concern monitoring, if not outright trying to stop the coming human evolution, with the mysterious man being their frontman, if not someone of a higher position. I would hope it’s not another government conspiracy, as we’ve seen so many of this via “The X-Files” and others like it that another show based around a Government Conspiracy would be repetitive.
Tim Kring’s script does a fantastic job of interweaving the show’s many characters, tying them up to one another in believable ways. Mohinder’s coming to New York, Peter’s relationship with Isaac, and Claire’s Texas ties flow together seamlessly. The good writing is complimented by a fine cast, with Adrian Pasdar clearly groomed for the role of reformed team leader (if such a superpowered team should surface, that is), and Masi Oka’s Hiro (whose character never speaks English in the pilot) will clearly be the undisputed fan favorite among the cast. In fact, the nerdy Japanese officer worker’s obsessive quoting of “Star Trek” manifesto will only hasten his journey from unknown actor to fanboy favorite.
Pilots for new shows are notorious for either giving away too much or too little, but the 54-minute pilot for “Heroes” does just enough to keep you coming back, ready for more. It’s quite intriguing from beginning to end, and with such complex and affable characters, showrunner Tim Kring has, in all likelihood, another hit on his hands. Heroes unite!
Episode Guides Season I
Season 1 Episode 1 (1.01): “Genesis”(Original Airdate: September 25, 2006) / Writer: Tim Kring / Director: David Semel
As a total eclipse casts its shadow across the globe, a genetics professor (Sendhil Ramamurthy, “Blind Guy Driving”) in India is led by his father’s disappearance to uncover a secret theory — there are people with super powers living among us. A young dreamer (Milo Ventimiglia, “Gilmore Girls”) tries to convince his politician brother (Adrian Pasdar, “Judging Amy”) that he can fly. A high school cheerleader (Hayden Panettiere, “Ice Princess”) learns that she is totally indestructible. A single mother (Ali Larter, “Final Destination”) struggles to make ends meet to support her young son (Noah Gray-Cabey, “My Wife & Kids”), discovers that her mirror image has a secret. A gifted artist (Santiago Cabrera, “Empire”), whose drug addiction is destroying his life and relationship with his girlfriend (Tawny Cypress, NBC s “Third Watch”), can paint the future. And in Japan, a young man (Masi Oka, NBC’s “Scrubs”) develops a way to stop time through sheer will power. Yet, unbeknownst to them all, their ultimate destiny is nothing less than saving the world…
As a total eclipse casts its shadow across the globe, a genetics professor (Sendhil Ramamurthy, “Blind Guy Driving”) in India is led by his father’s disappearance to uncover a secret theory — there are people with super powers living among us. A young dreamer (Milo Ventimiglia, “Gilmore Girls”) tries to convince his politician brother (Adrian Pasdar, “Judging Amy”) that he can fly. A high school cheerleader (Hayden Panettiere, “Ice Princess”) learns that she is totally indestructible. A single mother (Ali Larter, “Final Destination”) struggles to make ends meet to support her young son (Noah Gray-Cabey, “My Wife & Kids”), discovers that her mirror image has a secret. A gifted artist (Santiago Cabrera, “Empire”), whose drug addiction is destroying his life and relationship with his girlfriend (Tawny Cypress, NBC s “Third Watch”), can paint the future. And in Japan, a young man (Masi Oka, NBC’s “Scrubs”) develops a way to stop time through sheer will power. Yet, unbeknownst to them all, their ultimate destiny is nothing less than saving the world…
21 Eylül 2008 Pazar
So How Do You Feel About The New Season
Okay so I'm jumping for joy that the show is back along with the two shows it's sandwiched in between. They go real well together but I actually enjoy watching Journeyman then Chuck then Heroes. Not that I want them to change the line-up. I record all the shows but I like Heroes being sandwiched in the middle. What's good for the ratings is good for the... you know. Any way, I wanted to ask what you think about the new season and the new line-up. I like it all pretty well I just hope that the show keep the momemntum up. Last year the started out at a brisk pace and slowed down a little in the middle. I don't want to wait a year and half for real answers to any of the questions the show has gotten me to ask. (Like the way you have to wait with some other shows.) I never want them to make a episode that I can just miss and then tune in next week and I'll still be able to get all the inside jokes. I don't think the will but...
The premiere I saw picked up in a good place. But there were (at least what I consider) major characters not featured and I really want to check in with them and see where they are at. With their powers, their families, their locations, and their generally story arcs. I think the show will get it done I just don't want them to take to long.
Comments?
The premiere I saw picked up in a good place. But there were (at least what I consider) major characters not featured and I really want to check in with them and see where they are at. With their powers, their families, their locations, and their generally story arcs. I think the show will get it done I just don't want them to take to long.
Comments?
19 Eylül 2008 Cuma
Heroes Season 3 Trailer - Revealing (new)
This is the latest promo trailer for Heroes Season 3. Brand new footage from Villains are shown. Heroes will return September 22, 2008.
Heroes: Season 3 - The Primetime Preview
Here is a preview scheduled to be aired on NBC on August 30 next when issuing special presentation of their programme schedule of the season.We find a mixture of all previous promotional clips decorated with a few new scenes.
Heroes Original Soundtrack re-release as “Deluxe Edition” with lenticular cover
The Heroes season 1 soundtrack has popped back up on Amazon as a “Deluxe Edition” CD.
Features songs from the hit NBC show and million-selling DVD series. This deluxe edition package includes a tipped on lenticular cover, and the soundtrack features the TV show score from Wendy & Lisa, as well as hits from Panic At The Disco, new songs from Wilco, The Jesus & Mary Chain, The Chemical Brothers, and My Morning Jacket, plus a Brighton Port Authority collaboration by Norman Cook (Fat Boy Slim) and Iggy Pop, and previously released songs by Bob Dylan, David Bowie, Imogen Heap, and Death Cab For Cutie.
1. Heroes Title
Features songs from the hit NBC show and million-selling DVD series. This deluxe edition package includes a tipped on lenticular cover, and the soundtrack features the TV show score from Wendy & Lisa, as well as hits from Panic At The Disco, new songs from Wilco, The Jesus & Mary Chain, The Chemical Brothers, and My Morning Jacket, plus a Brighton Port Authority collaboration by Norman Cook (Fat Boy Slim) and Iggy Pop, and previously released songs by Bob Dylan, David Bowie, Imogen Heap, and Death Cab For Cutie.
1. Heroes Title
2. Fire and Regeneration
3. He’s Frank
4. All For Singing You Around
5. Glad It’s Over
6. Nine In The Afternoon
7. Weightless
8. Natural Selection
9. AboneCroneDrone 3 (excerpt)
10. Chills (Master Mix)
11. Jealousy Rides With Me
12. Not Now But Soon
13. Homecoming
14. All Things Must Pass
15. Man In The Long Black Coat
16. Maya’s Theme
17. Keeping My Composure
18. Heroes
ARTICLE ON "HEROES"
Jan 21, 2007 04:30 AM
Raju Mudhar
The origin story is one of the necessary gimmicks of the superhero genre. The planet Krypton has to blow up, Batman's parents have to die. Every character has such a story; for better or worse, it lays the foundation for all that comes after. NBC's smash hit drama Heroes and its creator Tim Kring are obeying this rule – they're just taking an entire season to do it.
Tomorrow night, the show returns for the second half of its inaugural season on NBC and Global. The characters' quest? To find out who they are – oh, and to stop New York from blowing up.
The freshness of Kring's approach – no capes, no secret identities, just danger and mystery – has reached beyond the comic-book geeks to thrill a mainstream audience. No surprise that Kring himself has no deep ties to the comics heroes of yore. He learned about them the way most do now: at the movie theatre.
"I have two small children and you find when you have kids, you've got to go to movies. I was literally surrounded by (superheroes). Between DC and Marvel characters, they are dominating what you see on movies and television in summertime.
"I was also very taken by the movie The Incredibles. I think our show draws more from that than anything else. That, and Eternal Sunshine of the Spotless Mind. I literally saw those two movies almost back to back ... I can point to both of them as inspirations for Heroes."
Eternal Sunshine was penned by Charlie Kaufman, and Kring says, "I wanted to do something Kaufman-esque, with hyper-anonymous kind of characters, people you would pass on the street and never think twice about, you would never think that those characters would have something extraordinary happen to them."
Keeping that sense of reality has informed many of the decisions surrounding Heroes. Choosing a large, multicultural cast and having several characters confused about their powers keeps the show grounded – despite the flying and a certain breakout character (Masi Oka's Hiro) tinkering with the space-time continuum.
It's this sense of the ordinary that Kring keeps coming back to when discussing his show's success. Speaking on the phone from Los Angeles, Kring comes off as a cold, calculating genius type – almost an archvillain. He says while they've all been a bit surprised by the huge response to the show, popular success was always part of the plan:
"I kind of saw that this was the type of show the network needed ... This show was always designed to have a big footprint. We had a big presence on the Internet, and we had plans for ancillary material and comic books and merchandising, so we approached it as though we were going to be big."
So there's a lot out there to please the super-fans, but this genre is not his natural turf – remember, his other big success on TV is Crossing Jordan, a drama about a medical examiner. And while he may be a hero to geeks and nerds, Kring is careful not to use the "g" or "n" words, preferring to use the softer term "genre." "I just wasn't a big comic-book guy," he says, adding he's been surprised by the foreboding of comics fans that the show needed "to come from the ranks of someone stamped with their geek cred card. Hopefully I'm earning a little bit of that now."
There are several elements of Heroes that harken back to heroes of old, particularly when it comes to powers. Hayden Panettiere's unkillable cheerleader Claire heals as quickly as Marvel's Wolverine. Leonard Roberts' character can pass through solid barriers like Kitty Pryde of the X-Men – a comic that also, as in Heroes, explores at length the downside of having such powers.
At the outset of Heroes, there was some noise made about similarities to Salman Rushdie's 1980 novel Midnight's Children, in which scattered characters develop powers at the moment of India's independence.
"Well, I certainly didn't (find any similarities) since I'd never heard of it," he laughs. "Because I don't have a vast knowledge of the superhero genre, I kept finding I was reinventing the wheel over and over again. Then I kind of came to peace with that in my mind.
"These are archetypes that I'm dealing with, not so much the domain of particular comic books. These are archetypes within history that have been built over and over again. And so I think that's sort of why people connect to (the show). I mean, there are only so many superpowers that you can land on, before it starts feeling like something somebody else has already done."
The show is probably better for Kring's "outsider" status (besides, he has good friend and executive producer Jeph Loeb, a comics writer, among the many geeks on staff that Kring has surrounded himself with). Think of his inspiration taken from The Incredibles. That story of retired superheroes recalled to action is largely a revision of the Fantastic Four, but with some elements taken from other well-known comic books. The blended result is something that is much more than the sum of its parts – it's a new mythology.
Kring understands this. Along with archetypes, he has often used terms like icons and myths while talking about the show. The second part of this season will see characters embarking on separate quests to understand their new gifts. For time- and space-warping Hiro, this will involve his search for a samurai sword, a tool he feels he needs to help save the world. Claire, the almost-unkillable cheerleader, will search for her birth parents. Milo Ventimiglia's character, Peter Petrelli, will seek to understand how to control his powers – he absorbs other people's abilities, but often has no idea how to control them.
"Peter is one of those characters who because of his nature, particularly as a caregiver, finds himself interacting with a lot of people. Coupled with his abilities, it lends itself to a lot of exciting things happening when he's surrounded by the other characters," said Ventimiglia, on the phone from California.
"Peter's got the most potential for greatness, and the most potential for evil," says the actor. "My mom shakes her head at me, and says, `Peter's a good character,' and I'm like, `I don't know, mom, he may just go bad, for a little while, for a long time, maybe forever.'"
Ventimiglia's character is the key to the larger challenge coming up in Heroes, which is preventing the impending explosion that threatens New York. And he's going to get some help. The already large cast is getting some well-known guest stars. Star Trek's George Takei will play Hiro's father, and Christopher Eccleston (who played Dr. Who in the first season of the new remake) will arrive as a mentor for Ventimiglia's character. Eccleston's power is to make himself invisible. It's a brilliant move, a sly tip of the hat to the genre audience.
"This is going to be quite a lot of fun," says Kring. "They really are fabulous together."
Ventimiglia concurs: "Christopher Eccleston was great. I really lucked into something wonderful being up against him as an actor. I remember that first day, just talking with him, helping him along with the storyline and why this or that course of action is being taken – it was a pleasure. I really got to learn from a guy who's been doing it for years and years. You just believe every word coming out of his mouth. He's that good."
If there is a Kryptonite that could kill the show's success, it's of the slow-acting variety, the sort that has afflicted genre smashes like Twin Peaks, The X-Files and of course, Lost. Those shows were immediate hits with compelling mysteries, but they eventually got bogged down in convoluted storytelling and go-nowhere plotlines.
Kring says Heroes scripts have been much more purposeful about parsing out knowledge and filling in bits of the larger mythology, to avoid falling into that trap. The pacing of the show has been very deliberate.
"We're definitely lucky that we came after shows like Lost and 24, and have learned from them what has worked and what hasn't," he says.
(Initially he also planned to kill off characters on a regular basis, and he may yet – "that is why we race to get the next script," Greg Grunberg, who plays telepathic police officer Matt, told reporters last week.)
Kring says writing is underway on the season's final three episodes. Looking further ahead, he says the writing staff has "tentpole ideas" – a few critical plot points – for season two, and hints there will be a large web event to launch it.
When asked which super power he'd most want, he answered: "You know, I'm kind of liking this invisibility thing. Seeing it on the editing screen, it's pretty cool, just to sort of walk out and be invisible. I'm sort of partial to that idea."
Heroes itself has acquired its own super power – mass popularity. The show has millions of devoted fans worldwide. And its quest for this season? To meet expectations.
17 Eylül 2008 Çarşamba
About Heroes
Heroes is an American science fiction serial drama television series created by Tim Kring, which premiered on NBC on September 25, 2006. The series tells the stories of ordinary individuals who discover that they have superhuman abilities, and also explores how these people adapt to the changes these abilities bring, and their roles in preventing catastrophes and saving humanity. The series emulates the aesthetic style and storytelling of American comic books, using short, multi-episode story arcs that build upon a larger, more encompassing arc. Kring and the writers have an idea of where the series is heading for the first five seasons. The series is produced by Universal Media Studios in association with Tailwind Productions, and it is filmed primarily in Los Angeles, California. The executive producers are Allan Arkush, Dennis Hammer, Greg Beeman and Tim Kring.
The critically acclaimed first season's run of 23 episodes garnered an average of 14.3 million viewers in the United States, receiving the highest rating for any NBC drama premiere in five years. The second season of Heroes attracted an average of 13.1 million viewers in the United States. The second season was NBC's top series in adults 18-49, the top Monday series on any network in adults 18–49, and the top scripted series on any network in adults 18-34. In addition, the second season marked NBC's sole series among the top 20 ranked programs in total viewership for the 2007-2008 season, according to Nielsen Media Research. A total of 24 episodes were ordered for the second season, but only eleven episodes were broadcast, due to the 100-day strike by the Writers Guild of America. The dispute led to the initial postponement and eventual cancellation of a six episode spin-off titled Heroes: Origins. Heroes will return with its third season on September 22, 2008.
A digital-internet extension of the series, Heroes 360 Experience, was created to explore the Heroes universe and provides insight into the show's mythology. It was rebranded as Heroes Evolutions at the beginning of the second season. Heroes Evolutions also includes graphic novels, which have been released every Tuesday since September 25, 2006, and were published by WildStorm Comics on November 7, 2007. Other official Heroes media include magazines, action figures, tie-in and interactive websites, a mobile game, a novel, clothing and other merchandise. NBC Universal announced on April 2, 2008, that NBC Digital Entertainment would release a series of online content for the summer and fall of 2008, including more original web content, wireless iTV interactivity, graphic novels available for mobile viewing and webisodes.
Heroes has garnered a number of awards and nominations. On July 19, 2007 Heroes was nominated in eight categories at the 2007 Primetime Emmy awards, including Outstanding Drama Series and was also nominated for Best Television Series-Drama at the 2007 Golden Globes. The series won a People's Choice Award in 2007 in the category of Best New Drama, and was named Program of the Year in 2007 by the Television Critics Association and Best International Program at the 2008 Bafta Awards. The series has also been nominated for an NAACP Image Award, a WGA Award, and a Satellite Award.
The critically acclaimed first season's run of 23 episodes garnered an average of 14.3 million viewers in the United States, receiving the highest rating for any NBC drama premiere in five years. The second season of Heroes attracted an average of 13.1 million viewers in the United States. The second season was NBC's top series in adults 18-49, the top Monday series on any network in adults 18–49, and the top scripted series on any network in adults 18-34. In addition, the second season marked NBC's sole series among the top 20 ranked programs in total viewership for the 2007-2008 season, according to Nielsen Media Research. A total of 24 episodes were ordered for the second season, but only eleven episodes were broadcast, due to the 100-day strike by the Writers Guild of America. The dispute led to the initial postponement and eventual cancellation of a six episode spin-off titled Heroes: Origins. Heroes will return with its third season on September 22, 2008.
A digital-internet extension of the series, Heroes 360 Experience, was created to explore the Heroes universe and provides insight into the show's mythology. It was rebranded as Heroes Evolutions at the beginning of the second season. Heroes Evolutions also includes graphic novels, which have been released every Tuesday since September 25, 2006, and were published by WildStorm Comics on November 7, 2007. Other official Heroes media include magazines, action figures, tie-in and interactive websites, a mobile game, a novel, clothing and other merchandise. NBC Universal announced on April 2, 2008, that NBC Digital Entertainment would release a series of online content for the summer and fall of 2008, including more original web content, wireless iTV interactivity, graphic novels available for mobile viewing and webisodes.
Heroes has garnered a number of awards and nominations. On July 19, 2007 Heroes was nominated in eight categories at the 2007 Primetime Emmy awards, including Outstanding Drama Series and was also nominated for Best Television Series-Drama at the 2007 Golden Globes. The series won a People's Choice Award in 2007 in the category of Best New Drama, and was named Program of the Year in 2007 by the Television Critics Association and Best International Program at the 2008 Bafta Awards. The series has also been nominated for an NAACP Image Award, a WGA Award, and a Satellite Award.
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